Los Angeles, CA
Chris Dibble
Architectural Digest

On first inspection, Nate Berkus and Jeremiah Brent felt that the house, clocking in at nearly 9,000 square feet, was much too grand for them and their toddler daughter, Poppy. “Our immediate reaction was, Who lives like this?” Berkus says, recalling his and his husband’s initial visit to the 1928 Spanish Colonial in Los Angeles’s Hancock Park neighborhood. “Certainly not us.” But as they made their way through the various salons and gardens, the designers soon began to heed the property’s siren call.

“We pictured Poppy, and eventually the rest of our family, playing under that tree, and we thought this was a place we could put down roots,”

Kitchen, Living Room, Dining, and Entry

First, there was the majestic 200-year-old oak tree rising in the backyard, like something out of a fairy tale. “We pictured Poppy, and eventually the rest of our family, playing under that tree, and we thought this was a place we could put down roots,” Brent says. Then there was the realization—perhaps rationalization is a better word—that while the house is indeed large, its rooms, true to period style, are relatively intimate, particularly in comparison with the bloated volumes of contemporary McMansions and McModerns.

But the clincher for Berkus and Brent was an encounter with the then–home owner and her eldest daughter, who were sharing a bottle of wine in the kitchen. “Jeremiah and I had the exact same thought—that we’d like to raise kids who want to hang out with us when they grow up. There was a lot of love there, and you could feel that energy,” Berkus says. For cynics, that scenario might read like a commercial for General Foods International Coffees. But the vision of domestic bliss and beauty that unfolds within the home defies even the most jaded misanthrope.

The Primary Suite

Past the front door there’s the gorgeous grand stairway with its original wrought-iron balustrade, straight out of a movie from Hollywood’s Golden Age. Then room after room bathed in glorious sunlight, gurgling fountains, and that heavenly oak tree, literally topping everything off. And, of course, there’s Poppy, the mistress of the manor. Not even Central Casting could produce a more scrumptious sprite.

“We were lucky that the house was in great condition. It had been looked after. All we really needed to do was give it a cosmetic makeover—the perfect assignment for two decorators,” Berkus says. That facelift entailed installing floors of antique marble to demarcate points of entry and transition; stripping, bleaching, and waxing the existing mahogany paneling in the dining room; replacing fireplace mantels and hardware with antique models; reworking the kitchen with new fixtures and surfaces; and furnishing the many rooms of the home in signature Berkus-Brent style.

“We go for a very clean, masculine look. We don’t like to live with a lot of color,” Brent says. “Or any!” Berkus swiftly chimes in. As for what constitutes clean and masculine in this context, the designers layered the house with rustic French, Swedish, and American furnishings of wood and stone, juxtaposed with more tailored Continental pieces by the likes of Jacques Adnet, Maria Pergay, Angelo Mangiarotti, and Afra and Tobia Scarpa.

The through line is the doggedly neutral palette; Berkus and Brent rely on texture and patina to animate their personal interiors. “We chose to use more country antiques because they already feel timeworn. Another ding just adds to the life of the pieces,” Berkus explains, continuing, “When you live with a small child, you don’t want to feel beholden to your possessions.”

The one exception to the rainbow-of-beige rule is Poppy’s bedroom and playroom. “She’s obsessed with pink and princesses—big shocker—so we try to keep the color and chaos confined to her zone,” Berkus explains. “But we like to help curate,” Brent adds, with an inflection that suggests not just any polyester princess getup will do. In her bedroom, Poppy has the beginnings of a proper art collection, stocked with gifts from her parents’ friends, including a dreamy mobile by Julia Condon and a Michael Hainey hummingbird painting.

For Berkus and Brent, the one other space that seems to deviate

 …from the distilled masculinity of the rest of the house is the master bathroom, which features hand-painted murals by James Mobley along with architectural details of a Prunella marble richly veined in deep purple and brown.

The couple took advantage of the ample space beyond the bathroom to install two very serious his-and-his closets. “Separate rooms are essential,” Brent avers. “When you marry a triple Virgo, there’s no way to meditate the stress away. Good closets make for a good marriage.” And that’s the gospel according to Jeremiah and Nate.